About the movie

Andrei Rublev (alternately transliterated as Andrei Rublyov) is an epic film created by the Soviet-era director, Andrei Tarkovsky. It was financed and created during a brief cultural thaw in East-West relations, marked by the end of Kruschchev's reign. Within reason, the 205 minute director's cut represents exactly what Tarkovsky wanted in the movie. Unfortunately for Tarkovsky and for us, Kkruschev was deposed shortly after filming began, and the 205 minute version was not seen until twenty five years after its creation. The Breszhnev-era censors trimmed 15 minutes from it immediately, and more later. The shortest known version has been truncated to 145 minutes. Even more sadly, Tarkovsky was never again to get the State's approval for the projects he really wanted to film, or an adequate budget to film the ones that did get approved. Fortunately for us, this movie, recently rereleased in a DVD transferred from a pristine 35mm print, may now be viewed intact.

It is one of the great triumphs of mankind's stay on the planet, and a masterpiece almost without flaw. The beautiful painterly images follow one another in breathtaking succession. At least three of the eight chapters, if taken individually, could stand alone as separate masterpieces. Unfortunately, the film is not especially accessible to mainstream audiences, or even to casual scholars.  One might liken Andrei Rublev to James Joyce's Finnegan's Wake as a work of genius so monumental and complex, and so disdainful of traditional narrative form, that it requires extensive thought and study to understand it. Even after studying it, watching it repeatedly, and reading Tarkovsky's own comments about it, one still finds it opaque in many ways. Tarkovsky's father was a poet, and the sensibility of poetry pervades the son's films. His films are to mainstream films as poems are to short stories. One does not read a poem for the clever plot or the accurate transmission of facts. Written poetry is about the feelings evoked by the use of words and rhythm together. Filmed poetry adds the power of images.

"A poem should not mean, but be."

 - Archibald MacLeish -

The ostensible subject of the film is the life of Andrei Rublev, a 15th century monk who is renowned as Russia's greatest creator of religious icons and frescoes. The monk himself, however, is merely a useful device. Little is known about the historical Rublev, so most of the episodes in the movie come straight from Tarkovsky's imagination of what might have been. After all, sometimes one must ignore the facts to get to the truth. This isn't a movie about one talented and obscure monk, but about Russia. Rublev the individual is a useful symbol for his country, since he lived in a time when he could personally witness two of the key elements in the development of Russia's unique culture: the growing force of Byzantine Christianity, and the Mongol-Tatar invasions. In addition, he was an artist and a thinker, and thus experienced first hand the difficulty of following those paths in Russia. The artist's inner conflicts allow the filmmaker to illuminate thoughts on the pagan and the sacred, the nature of art, the relationship of the artist to the state, what it means to be Russian, and what it means to be human.

It is beautiful, mystical, and profound, but the truly inspiring aesthetics are matched with complete technical wizardry. I simply don't know how some of the shots were created, given the time and place where it was made. One I do understand, and stand in awe of, is a continuous single camera shot, just before a church door is breached by Tatar invaders, which involves action in several different locations at multiple elevations, as well as the correct timing of hundreds of extras and horses. It makes the first scene of Touch of Evil look like a high school film project.


Tarkovsky was free to create the work of art he wanted, without concern for profit. The original 205 minute cut was also free from outside censorship. He used this freedom to realize his personal artistic vision. There is no other movie like it, and there may never be.

Here is the IMDb entry for this movie, which leads to various reviews, places to buy the DVD, books about the movie, etc.

And here's what you may have come for, the nude scenes. Clicking on the thumbnails will lead to much larger captures of the full frames.