Scandal: On The Other Side
This soft core is mostly:
1) Two or three lines of unimportant dialogue.
2) A kiss.
3) Start loud music.
4) 10 minutes of simulated sex.
|There are some plusses.
There are a total of seven women who show nearly everything in good
light. On the other hand, the transfer is grainy. It is purportedly
about a host of a sleazy video tabloid which exposes scandalous
behavior of sit-com stars, complete with film of their indiscretions.
There are far too many images for one night, so tonight we have the
first two women, Nancy O'Neil and Amber Newman. The two appear
together on a buddy show, where Nancy is a virgin, and has developed a
national following of girls who are closing their legs. This chases
most of the sponsors, who sell using sex, away. There is only one
thing for it -- get Nancy laid.
|Lots! See the
| Rachel Tiberman and
Griffin Drew Are daughter and mother on a sitcom. When word gets out
that Tiberman had sex with her screen daddy, the world is outraged.
Then, come to find out, he also had drew, and Drew had Tiberman. After
exposing all of this on "On the Other Side," the host is fired, but
seduces producer Michelle Hall to get some photos from her for
blackmail. The photos are of a director who is casting a movie part, and
his girlfriend. He doesn't want his wife,
Samantha Philips, to know, so gives him the part playing opposite
Philips, and Philips seduces him using rehearsal as a pretext to get
him into her trailer.
||This film has seven women who show all
three Bs in decent light, two water scenes (shower and pool),
girl-girl, and mild fetish. That covers all of the important bases for
a soft-core, so it is definitely adequate for that genre.. The acting
was ok, and a real plot might have given it some cross-over appeal,
although it had the sort of sex scenes that seem to go on forever. To
their credit, they didn't go overboard on camera and lighting effects
guideline: 7.5 usually indicates a level of
excellence, about like three and a half stars
from the critics. 6.0 usually indicates lukewarm
watchability, about like two and a half stars
from the critics. The fives are generally not
worthwhile unless they are really your kind of
material, about like two stars from the critics.
Films under five are generally awful even if you
like that kind of film, equivalent to about one
and a half stars from the critics - or less,
depending on just how far below five the rating
guideline: A means the movie is so good it
will appeal to you even if you hate the genre. B means the movie is not
good enough to win you over if you hate the
genre, but is good enough to do so if you have an
open mind about this type of film. C means it will only
appeal to genre addicts, and has no crossover
appeal. D means you'll hate it even if you
like the genre. E means that you'll hate it even if
you love the genre. F means that the film is not only
unappealing across-the-board, but technically
inept as well.
Based on this
description, this film is a C, genre: softcore.
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