The Hoax is the psuedo-historical story of how an author named Clifford 
    Irving convinced the famous publishing house McGraw-Hill that he was 
    co-writing an authorized autobiography of Howard Hughes back in the early seventies, even though Irving 
    had never met 
    Hughes, and didn't even know much about the eccentric billionaire when he conceived the  
    project. The entire project was nothing but smoke and mirrors. Irving thought he could pull off this quixotic endeavor 
    because "the aviator" was an eccentric 
    recluse who never contacted the outside world, and might be both physically 
    and mentally ill, and would therefore not come 
    forward to deny his involvement in the autobiography. Irving came close to 
    pulling it all off. Although there were doubters at every step of the 
    project, the author managed to bluff his way past 
    just about every skeptic. Some of his persuasive skills were innate. Some 
    came from his assiduous research. By the time he was exposed, Irving had 
    became such an expert on his subject that he could deliver convincing 
    anecdotes in Hughes's own idiolect, and could even fool handwriting experts 
    with forgeries of Hughes's famous handwritten letters.
   
    The final key to Irving's (temporary) success was pure serendipity. Irving happened 
    to get a copy of an unpublished memoir written by Noah Dietrich, Hughes's 
    closest associate, and that document included a  
    nearly verbatim records of a previously unrevealed conversation with a top 
    magazine editor. Since the influential editor had never told anyone about 
    the conversation, this 
    knowledge enabled Irving to persuade him that the 
    account had come from an interview with Hughes himself.  
   
    So it was with a brazen combination of luck, chutzpah, and preparation 
    that Irving got the book very close to the bookshelves before he 
    was ultimately undone by the money trail. Since he did not know Hughes, he 
    had to figure out some way to deposit the checks which McGraw-Hill wrote for 
    Hughes's fee. It was Mrs. Irving's attempt to 
    deposit the "H.R. Hughes" check that scotched the snake. In retrospect, 
    Irving might have gotten the book to the top of the best seller lists if he 
    had simply tucked the big Hughes checks away, at least for a while. The 
    McGraw-Hill accountants would probably have found nothing unusual about an uncashed 
    Hughes check. After all, Hughes was a noted flake, and so rich that 
    another million dollars or so was mere pocket change to him. He could easily 
    have left such a check lying around with his Kleenex boxes. On the other 
    hand, such a strategy would have done no more than delay the 
    inevitable, because Irving was not correct in his assumption that Hughes 
    would remain 
    mute. The inscrutable plutocrat did break his long public silence 
    to denounce the Irving project as a hoax. In fact, the Hughes press 
    conference was quite a landmark event - the last time Hughes would ever 
    contact the outside world.
   
    In the craziest sidebar to the story, it has been suggested that
    the Irving book may have 
    motivated the Watergate break-in!
   
    The critics were particularly enthusiastic about this movie. According to 
    Rotten Tomatoes, a very impressive 85% of the reviews were positive. That's 
    Oscar territory! I don't really share that lofty level of enthusiasm. Although it is an 
    interesting story assembled by good actors and a competent director, it has 
    one great flaw. The storyline is almost total bullshit. Of course, that's 
    both ironic and appropriate. The real Irving is still alive and kicking, and is an intelligent guy with a great sense of humor, two characteristics which 
    must allow him to realize that a falsified account of his life is precisely 
    what his karma has earned him. That's fair enough for him, but it's not what my karma has earned me as 
    an audience member. I hoped to see how this scam all went down, but the 
    film's story 
    about Clifford Irving's life is no more authentic than Irving's story about 
    Hughes's life. In fact, 
    Irving's fake book is probably far less fake than 
    this movie, since the success of his scam depended on his ability to make 
    the book as credible as possible. Although he embellished Hughes's life in 
    many ways, Irving researched thoroughly and used 
    Dietrich's manuscript to establish the facts, and he also worked hard to make 
    Hughes's first person quotes sound exactly like things the billionaire did 
    say or could have said. This film has no such fealty to the truth. It simply 
    tries to tell a ripping yarn, irrespective of whether that yarn could be 
    unraveled by scrutiny. 
   
    The script takes many liberties with the facts as well as with the 
    personalities of the characters, but two critical points come to mind:
   
    (1) The movie version 
    of Dick Suskind, Irving's co-conspirator, as played by Alfred Molina, seems like a sweaty and 
    often 
    self-righteous doofus, Sancho Panza to Irving's crooked Quijote. 
   
    (2) The script fabricates an important incident. Mysteriously, Gere/Irving receives a package of files from Nevada, presumably from a Hughes 
    insider, which give him great insights 
    into the inner workings of the Hughes endeavors. That never happened. That 
    bit of hyperbole not be so bad if this were a white lie presented as a throwaway 
    incident, but the effect of this lie is greatly exacerbated by the script's 
    incorporation of those files into the very broth and marrow of the 
    narrative, thus squeezing the film out of the realm of "comfortable 
    accommodation to the truth" and into a surreal world worthy of Dali.
   
    Why was this necessary? I grant that The Hoax is quite an enjoyable movie 
    (most of the time), but if it is supposed to be a true story, why isn't it 
    ... true? Why go to all the trouble of getting Richard Gere to look like 
    Irving if he wasn't actually going to act like Irving? And why wasn't the 
    real story good enough for a film? It seems to me that the actual 
    skullduggery of Clifford Irving, Mrs. Irving and Richard Suskind was more 
    than sufficiently intriguing to create a movie both entertaining and 
    enlightening. So why the unnecessary embellishment? In my mind, the changes 
    didn't actually create a better story; just a different one.
   
    The best thing about the movie? It got me curious enough to order and 
    read the book, which is Irving's own account of these events! I recommend 
    that you do the same. Clifford Irving is  
    an engaging raconteur, and I'm convinced that he did his best to tell the 
    truth about everything.